Tedesco caprichos de goya series#

Ogm' violazione sard perseguita a termini di legge (R. The work, completed in 1961, was designed for Segovia - the composer had met the. Castelnuovo-Tedesco chose 23 of the Caprichos and added to them another plate, the вЂSueГ±o de la mentira y inconstanciaвЂ™. A complete collection of the images can be seen online here.

Tedesco caprichos de goya series#

В© Copyright 1970 by Edizioni BERBEN - Ancona, Italy.ДЎ' utti i dirittt' dl' esecuzt'one, truduzione e truscrl'zione sono riservati per tutti i paesi.Д® espressamente vietata la riproduzione fotostatica 0 can qualsiasi altro procedt'mento. In total Goya made a series of 82 plates, etchings reinforced with aquatint. Praprietti esclusiva per tutti i paegi delle Edizioni BERBEN - Anmna, Italia. Neither of these last attributes can comfortably apply to Dukic's recording, yet this important work of Castelnuovo-Tedesco is recorded so infrequently that no one can reasonably object to any recording of relative merit, particularly one as proficient and professionally polished as is Dukic's.Revisione e diteggiatura di ANGELO GILARDINO MARIO CASTIELZIUOJ? - TEDESCO Overall, Dukic's recording is fine - it's a little shallow on the low end - but Lily Afshar's Summit recording, made in 1994, still rather rules the roost when it comes to the 24 Caprichios it is warmer, there is no hot-dogging, it has more depth, is sparkling when it needs to be, and holds back when that's appropriate.

The prints were an artistic experiment: a medium for Goya's condemnation of the universal follies and foolishness in the Spanish society in which he lived.

However, 24 Caprichios de Goya is not, at least in its entirety, a virtuoso piece a fair amount of it is relatively simple and even plain, and playing it as though it's going to stop the show - without some measure of sensitivity - makes those plain parts stand out. Los caprichos (The Caprices) is a set of 80 prints in aquatint and etching created by the Spanish artist Francisco Goya in 1797-1798, and published as an album in 1799. Here it is divided between two CDs in a performance lasting 82 and a half minutes.Дukic's chest-thumping is not without some merit he certainly is a very good player with technique to burn, and Dukic plays Castelnuovo-Tedesco's cycle with grand flourishes and more than a little virtuousness double stops flare outward, parallel passagework sounds exactly together, single-note lines sing out cantabile. In addition to being 'long,' 24 Caprichios de Goya is also difficult to program as its common performance time of about 80 minutes is just slightly longer than a standard CD is able to accommodate. Just the year earlier Castelnuovo-Tedesco had composed another set of 24 pieces for guitar, Platero y Yo (Platero and I), based on the poetry of Spanish writer Juan Ramon JimГ©nez. This makes for a thick booklet that is hard to get in and out of the case without causing some damage to it. The 24 Caprichos de Goya are representative of a major trend in the later part of his life, which was composing works that explored the relationships between music and other arts. 195, informs us that Croatian guitarist Zoran Dukic has 'won more first prizes in international competitions than anyone else in the world.' Really? Naxos does afford its artists a good amount of latitude in preparing the booklets, and here Naxos has extended more credit to Dukic than many, including, on its own individual page, each of the 24 Goya illustrations that inspired Castelnuovo-Tedesco to the create the 24 pieces making up one of the longest solo guitar cycles in history. Are you looking for 24 Caprichos de Goya Op.195 Vol.1 Guitar Angelo Gilardino No.1 - 6 from Mario Castelnuovo Tedesco The ISBN number of this product is. The back cover blurb for Naxos' Mario Castelnuovo-Tedesco: 24 Caprichios de Goya for Guitar, Op.